Simply add a couple of drops to each mixed colour, and let the Cell Enhancer do the rest.  It is a kind of thermal plasticizing hydrocarbon resin produced by C5, C9 fraction, by-products of petroleum cracking, through pretreatment, polymerization and distillation. The most commonly used is a natural resin known as Damar, which should be mixed with turpentine as it will not thoroughly dissolve when mixed with mineral spirits. Genuine Venice turpentine is collected from larch trees. If it doesn't leave any resident, stain, or smell, it should be good enough for oil painting. Watercolors are generally not suitable in combination with resin. This is a desirable characteristic because if a protective varnish such as dammar has to be removed to clean or restore a painting, this can easily be done without great risk of dissolving underlying paint films which contain the copal resin. Oil Paint. (Excerpts from ART HARDWARE: The Definitive Guide to Artists’ Materials, by Steven Saitzyk © 1987). TIP: Oil paint does NOT mix in well with ArtResin. This ratio reduces the yellowing of the mastic and helps to speed the drying of the dammar. On being heated together, ester linkages are formed, and water is a by-product. Tens of thousands of years are then required to turn the mass into a crystal. Turpentine: Turpentine is the traditional solvent used in oil painting.It's based on tree resin and has a fast evaporation rate, releasing harmful vapors. Biocide: A chemical used in very small amounts to control the growth of bacteria and fungi in paint. It also dries clearer and with more gloss than dammar. I have sanded it and I would like to use fiber glass resin and paint it with a water base paint to match the color. The excellent drying properties of MUSSINI ® resin-oil colours come from the fact that the oil parts of the colours increase in volume by absorbing oxygen, while the solvents of the natural resin solution evaporate, thus ensuring a shrinkage in volume. Can you mix paint with epoxy? Alkyd resin is the category of resins that are made from mixtures of dibasic acids and polyhydric alcohols. It is possible to interlock paint layers by taking advantage of the two types of drying that occur with a dammar-drying oil combination. How Paint is Constructed. The use of resins in oil paint can result in embrittlement, cracking or wrinkling of the paint film due to differences in the drying mechanism of oils and resins. Working with encaustic paint is quite different from using oil or acrylic paint because you have to heat the paint in order for it to be spreadable. Alchemist Mediums - Makers of historical and traditional amber resin and natural resin-based varnishes and oil painting mediums. The opposite may also occur where a liquid, left undisturbed, forms into a gel. The use of mastic resin in painting dates back to the time of Rembrandt and the Dutch Masters and is responsible for Rembrandt’s blue backgrounds now appearing green. Second, a resin may be used to dilute a paint for glazing without over thinning it. Today, many of the commercially made copal media have no copal at all and are composed of synthetic substitutes or alkyd resins. If, in one and a half to two days, when the drying oil is roughly half dry, a second paint layer containing the same medium is applied, the two layers will interlock. Resins are added to painting media primarily for three reasons. Alkyd resins can exhibit a thixotropic effect. Developed in the 1920s, alkyd-based enamel paints were once one of the most important types of surface coating. The "recipe" for encaustic is simple: pigment plus wax (typically a mixture of beeswax and damar resin). Inhaltsverzeichnis. Different oils allow for different drying times and if the paints contain resin, you will get a glossy finish. Like dammar, it is a soft resin totally soluble in turpentine and only partially soluble in mineral spirits. 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